Painting ID:: 57843
daniel solander pa en malning av zoffary mk260
daniel solander pa en malning av zoffary,den tillhor det engelska linne sall skapet.da han kom till england ar 1760 gjorde sig solander mycket snabbt popular och efter resan till soderhavet bodde han mestadels hos sin van och gynnare sir joseph banks pa32 soho square new20/unknow artist-962642.jpg
Painting ID:: 58266
Daniel Boone Escorting Settlers through the Cumberland Gap Daniel Boone Escorting Settlers through the Cumberland Gap, oil on canvas, 1851?C52 new20/George Caleb Bingham-434679.jpg
Painting ID:: 60214
a page from on illuminated flemish medieval psalter dating from from c 1470 mk270 a page from on illuminated flemish medieval psalter dating from from c 1470 new21/Daniel van Heil-348242.jpg
Painting ID:: 60215
composerguillaume de machaut mk270 french church singers dating from the 14th century, time of the innovative composer guillaume de machaut. new21/Daniel van Heil-352923.jpg
Painting ID:: 61622
D Ewes Coke his wife, Hannah, and his cousin Daniel Coke, by Wright, D'Ewes Coke his wife, Hannah, and his cousin Daniel Coke, by Wright, c. 1782 new21/Joseph wright of derby-664974.jpg
Painting ID:: 62827
A Scene from 45 x 61 cm Royal Collection, Windsor The subject is based on a moment in a romantic German novel entitled Undine, written by Friedrich de la Motte Fouque which was first translated into English in 1818 and became almost as popular with artists in England as Goethe's Faust. The incident painted by Maclise occurs in chapter IX, where the young knight, Huldbrand, accompanies his bride, Undine, back home through the forest. The priest, Father Heilmann, who has just performed the marriage ceremony, follows behind and is visible beneath the branch of the tree. Ahead is the dark and sinister apparition, Kuhleborn, the spirit of the waters and the uncle of Undine. Huldbrand draws his sword on Kuhleborn and then strikes him, whereupon the spirit of the waters is transformed into a waterfall. Clearly the painting illustrates the forces of good, represented by the newly married couple, overcoming the power of evil, symbolised by the looming figure of the water god. The narrative element of the picture is aligned on a diagonal, which is contained within a bower populated by elves, goblins and water-nymphs associated with the surrounding forest. The composition is a triumph of design with the main elements of the story formed by an ornamental border of considerable intricacy. Maclise used other such borders for several of his book illustrations including those for The Chimes by Charles Dickens of 1844 and Irish Melodies by Thomas Moore of 1845. Maclise has here relied on German sources for the decorative features, and was clearly influenced by German illustrators. Maclise was of Irish origin and in 1827 he came to London, where he almost immediately gained recognition as a portrait draughtsman, drawing numerous likenesses for Eraser's Magazine. He painted historical and literary subjects, several as frescoes for the Palace of Westminster. Maclise formed close friendships with the novelists Charles Dickens and William Makepeace Thackeray as well as his compatriot, the poet Thomas Moore, and the politician Benjamin Disraeli. With all of these he shared an ebullience of character and a sense of humour, but this later gave way to melancholy and pessimism new21/Maclise, Daniel-889442.jpg
Painting ID:: 71372
The Shepherdess of Rolleboise ca. 1896(1896)
Oil on canvas
172.7 x 128.2 cm (67.99 x 50.47 in)
new23/Daniel Ridgway Knight-856669.jpg
Painting ID:: 71450
Die angeklagte Susanna und der Prophet Daniel Date 1725-1726
Medium Oil on canvas
Dimensions 243 x 440 cm (95.67 x 173.23 in)
new23/RICCI, Sebastiano-795479.jpg
Painting ID:: 71516
The Republican Court (Lady Washington's Reception Day) ca. 1861(1861)
Oil on canvas
167.6 x 277 cm (65.98 x 109.05 in)
new23/Daniel Huntington-558978.jpg